Traditional Prints are on Harman Fibre Gloss Paper, either warm tone or white, chosen by the artist to suit the final image, printed with an Epson 7800 Ultrachrome K3 printer. These are finest archival prints available. Black and White Prints are without border, and are dry mounted on Crescent Very White 100% Rag Acid Free matte board (#1613), and are limited editions, numbered, signed, and authenticated on the reverse of the matte board. A window overmatte is also provided with the print, ready for framing of your choice. Color prints are similar to traditional Cibachrome gloss on Harman Fibre Gloss Paper with Ultrachrome K3 inks, and are the finest color gloss prints available. These prints will be shipped in a tube and can be mounted on a matte board of your choice prior to framing. If desired, contact the artist for dry mounting and overmatting prior to shipping.Canvas Prints are available on traditional artist's Canvas and are dry mounted on masonite for frame-ready support. Canvas prints are numbered and signed on the canvas. Larger prints work best in Canvas.and have become a favorite in modern collections. Box Mounting is available on request.